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Total de Resultados: 100

Página 1 de 1

alb10904741 Juan de la Corte (ca. 1585-1662). Spanish painter of Flemish origin. Procession for the imperial coronation of Charles V in Bologna on 24th February 1530. Coronation of Charles V (1500-1558) as Holy Roman Emperor (1519-1556) by Pope Clement VII (1478-1534). Oil on canvas, ca. 1635. Detail. Museum of Santa Cruz. Toledo. Spain.
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alb10904757 Juan de la Corte (ca. 1585-1662). Spanish painter of Flemish origin. Procession for the imperial coronation of Charles V in Bologna on 24th February 1530. Coronation of Charles V (1500-1558) as Holy Roman Emperor (1519-1556) by Pope Clement VII (1478-1534). Oil on canvas, ca. 1635. Museum of Santa Cruz. Toledo. Spain.
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akg178110 Charles V, Holy Roman Emperor and King of Spain; 1500-1558. "Arrival of Charles V and Pope Clemens VIII in Bologna for the Emperor's Coronation" (24/2/1530). Painting by Juan de la Corte (1597-1660). Oil on canvas, 113 × 164cm. Toledo, Museo de Santa Cruz. Museum: Toledo, Museo de Santa Cruz.
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akg3696423 Florenz - Firenze (Toskana, Italien), Boboli-Gärten - Giardino di Boboli. (Park beim Palazzo Pitti; angelegt ab 1549), Isolotto (angelegt 1618 nach Plänen von Giulio Parigi mit Okeanos-Brunnen. von 1567 von Giovanni da Bologna). - Teilansicht: Okeanos-Brunnen. - Fotografie, anonym, undatiert, um 1890.
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alb3635451 Two Children Teasing a Cat. Artist: Annibale Carracci (Italian, Bologna 1560-1609 Rome). Dimensions: 26 x 35 in. (66 x 88.9 cm).In this picture the viewer is invited to imagine the result of teasing an obviously unhappy cat (you can almost hear it growling). For surely the little girl's hand will be scratched. The picture thus incorporates a time factor and carries a lesson similar to "Let sleeping dogs lie" and "Don't go poking around vipers." Painted with a directness and spontaneity that look forward to nineteenth-century art, this picture is among the earliest Italian genre paintings. It belonged to Cardinal Tommaso Ruffo (1663-1753), who also owned Velázquez's Juan de Pareja. Museum: Metropolitan Museum of Art, New York, USA.
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les40090209 Seven deeds of Francesco I Medici. The Duke inspects the regulation of the river Arno. Gold relief on amethyst background. Medici workshop after a wax model by Giambologna,1585 Size of the relief: 7 x 16,2 cm. Author: GIOVANNI BOLOGNA. Location: Palazzo Pitti, Museo degli Argenti, Florence, Italy.
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les40090210 Seven deeds of Francesco I Medici. Foundation of the city of Cosmopolis. Gold relief on amethyst background. Medici workshop after a wax model by Giambologna,1585. Size of the relief: 7 x 16,2 cm. Author: GIOVANNI BOLOGNA. Location: Palazzo Pitti, Museo degli Argenti, Florence, Italy.
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les40090168 Seven deeds of Francesco I Medici: the Duke views the model of his villa. Gold relief on amethyst background, 1585. Medici workshop from a wax model by Giambologna 7 x 16,2 cm. Author: GIOVANNI BOLOGNA. Location: Palazzo Pitti, Museo degli Argenti, Florence, Italy.
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les40090169 Seven deeds of Francesco I Medici: An imperial decree is read to the Duke. Gold relief on amethyst background. Medici workshop after a wax model of Giambologna (1585) 7 x 16.2 cm. Author: GIOVANNI BOLOGNA. Location: Palazzo Pitti, Museo degli Argenti, Florence, Italy.
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orz197855 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz002925 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA - FOTO AÑOS 60. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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akg5451947 Bologna, Giovanni da, auch Giambologna, eigentl. Jean de Boulogne; 1529-1608. "Christus an der Geißelsäule", um 1590. Bronze Höhe 31 cm. Inv. Nr. B 418, Florenz, Museo Nazionale del Bargello.
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alb3709668 The Madonna della Scodella. Dated: 1606. Dimensions: plate: 12.2 x 16.1 cm (4 13/16 x 6 5/16 in.) plate: 13.6 x 17.4 cm (5 3/8 x 6 7/8 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Annibale Carracci.
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orz152534 MONUMENTO ECUESTRE DE FELIPE III-TERMINADO EN 1616.COMENZADO POR JUAN DE BOLONIA - FOTO AÑOS 00. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz029271 ESCULTURA DE MERCURIO COPIA DEL ORIGINAL DE JUAN DE BOLONIA-S XVI. Author: BOLONIA JUAN DE COPIA. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.
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orz009491 EL RAPTO DE DEJANIRA - SIGLO XVI - RENACIMIENTO ITALIANO. Author: JUAN DE BOLONIA (1529-1608). Location: MUSEO DEL LOUVRE-ESCULTURAS. France.
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orz044393 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616.COMENZADA POR JUAN DE BOLONIA. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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akg5463568 Giovanni da Bologna (Giambologna), eigentl. Jean de Boulogne; 1529-1608. "Florentia" (Venus Anadyomene), 1571/72. Brunnenfigur für den Brunnen von Niccolò Tribolo im Garten der Villa Medicea La Petraia. Bronze, Höhe 125 cm. Florenz / Firenze (Toskana, Italien), Ortsteil Castello, Villa Medicea La Petraia.
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akg6388663 Giovanni da Bologna, also Giambologna, born Jean de Boulogne, 1529-1608. "Rape of the Sabine Woman", c. 1579-1582. Detail. Model for the sculpture in the Loggia dei Lanzi in Florence. Clay over core of wood and iron, Height 410 cm, width 140 cm. After the restoration in 2013. Inv 1071, Florence, Galleria dell'Accademia.
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akg6388662 Giovanni da Bologna, also Giambologna, born Jean de Boulogne, 1529-1608. "Rape of the Sabine Woman", c. 1579-1582. Detail. Model for the sculpture in the Loggia dei Lanzi in Florence. Clay over core of wood and iron, Height 410 cm, width 140 cm. After the restoration in 2013. Inv 1071, Florence, Galleria dell'Accademia.
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akg6388664 Giovanni da Bologna, also Giambologna, born Jean de Boulogne, 1529-1608. "Rape of the Sabine Woman", c. 1579-1582. Detail. Model for the sculpture in the Loggia dei Lanzi in Florence. Clay over core of wood and iron, Height 410 cm, width 140 cm. After the restoration in 2013. Inv 1071, Florence, Galleria dell'Accademia.
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akg3696427 Giovanni da Bologna, auch Giambologna, eigentl. Jean de Boulogne; 1529-1600. "Florenz triumphiert über Pisa" (Die Tugend besiegt das Laster), 1570. Entstanden im Auftrag von Francesco I. de' Medici für den Palazzo Vecchio. Marmor. Florenz, Museo Nazionale del Bargello. Museum: Florenz, Museo Nazionale del Bargello.
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akg3335192 Bologna, Giovanni da, auch Giambologna, eigentl. Jean de Boulogne, 1529-1608. "Raub der Sabinerin", zwischen 1579-1582. Ansicht mit leichter Drehung nach links. Modell für die Skulptur in der Loggia dei Lanzi in Florenz. Ton über Kern aus Holz und Eisen, Höhe 410 cm, Breite 140 cm. Aufnahme nach der Restaurierung 2013. Inv.Nr. 1071. Florenz, Galleria dell'Accademia. Museum: Florence, Galleria dell'Accademia.
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akg3335194 Bologna, Giovanni da, auch Giambologna, eigentl. Jean de Boulogne, 1529-1608. "Raub der Sabinerin", zwischen 1579-1582. Ansicht der Rückseite mit leichter Drehung nach links. Modell für die Skulptur in der Loggia dei Lanzi in Florenz. Ton über Kern aus Holz und Eisen, Höhe 410 cm, Breite 140 cm. Aufnahme nach der Restaurierung 2013. Inv.Nr. 1071. Florenz, Galleria dell'Accademia. Museum: Florence, Galleria dell'Accademia.
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akg3335196 Bologna, Giovanni da, auch Giambologna, eigentl. Jean de Boulogne, 1529-1608. "Raub der Sabinerin", zwischen 1579-1582. Ansicht der Rückseite. Modell für die Skulptur in der Loggia dei Lanzi in Florenz. Ton über Kern aus Holz und Eisen, Höhe 410 cm, Breite 140 cm. Aufnahme nach der Restaurierung 2013. Inv.Nr. 1071. Florenz, Galleria dell'Accademia. Museum: Florence, Galleria dell'Accademia.
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akg3335195 Bologna, Giovanni da, auch Giambologna, eigentl. Jean de Boulogne, 1529-1608. "Raub der Sabinerin", zwischen 1579-1582. Ansicht der Rückseite mit leichter Drehung nach rechts. Modell für die Skulptur in der Loggia dei Lanzi in Florenz. Ton über Kern aus Holz und Eisen, Höhe 410 cm, Breite 140 cm. Aufnahme nach der Restaurierung 2013. Inv.Nr. 1071. Florenz, Galleria dell'Accademia. Museum: Florence, Galleria dell'Accademia.
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akg3335197 Bologna, Giovanni da, auch Giambologna, eigentl. Jean de Boulogne, 1529-1608. "Raub der Sabinerin", zwischen 1579-1582. Ansicht von der rechten Seite. Modell für die Skulptur in der Loggia dei Lanzi in Florenz. Ton über Kern aus Holz und Eisen, Höhe 410 cm, Breite 140 cm. Aufnahme nach der Restaurierung 2013. Inv.Nr. 1071. Florenz, Galleria dell'Accademia. Museum: Florence, Galleria dell'Accademia.
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akg3335190 Bologna, Giovanni da, auch Giambologna, eigentl. Jean de Boulogne, 1529-1608. "Raub der Sabinerin", zwischen 1579-1582. Teilansicht, schräg, von vorne links. Modell für die Skulptur in der Loggia dei Lanzi in Florenz. Ton über Kern aus Holz und Eisen, Höhe 410 cm, Breite 140 cm. Aufnahme nach der Restaurierung 2013. Inv.Nr. 1071. Florenz, Galleria dell'Accademia. Museum: Florence, Galleria dell'Accademia.
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akg3335198 Bologna, Giovanni da, auch Giambologna, eigentl. Jean de Boulogne, 1529-1608. "Raub der Sabinerin", zwischen 1579-1582. Schrägansicht von hinten rechts. Modell für die Skulptur in der Loggia dei Lanzi in Florenz. Ton über Kern aus Holz und Eisen, Höhe 410 cm, Breite 140 cm. Aufnahme nach der Restaurierung 2013. Inv.Nr. 1071. Florenz, Galleria dell'Accademia. Museum: Florence, Galleria dell'Accademia.
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akg3335191 Bologna, Giovanni da, auch Giambologna, eigentl. Jean de Boulogne, 1529-1608. "Raub der Sabinerin", zwischen1579-1582. Ansicht mit leichter Drehung nach rechts. Modell für die Skulptur in der Loggia dei Lanzi in Florenz. Ton über Kern aus Holz und Eisen, Höhe 410 cm, Breite 140 cm. Aufnahme nach der Restaurierung 2013. Inv.Nr. 1071. Florenz, Galleria dell'Accademia. Museum: Florence, Galleria dell'Accademia.
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les40010413 " Les Bronzes de la Couronne" comprise bronze sculptures mainly collected by and presented to Louis XIVth. " Fortune" -the nude woman holds the ends of a veil blowing in the wind, symbol of the vagaries of fortune. H: 46,8 cm. No.68 of the original royal inventory. Author: GIOVANNI BOLOGNA. Location: Musee National du Chateau, Versailles, France.
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alb3672406 Saint John, book in right hand chalice in left, from the series 'Piccoli Santi' (Small Saints). Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 3 5/16 x 2 in. (8.4 x 5.1 cm). Date: ca. 1500-1527. Museum: Metropolitan Museum of Art, New York, USA.
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alb3627596 The Virgin and Child with St. Elizabeth and John the Baptist, called 'The Virgin of the Palm Tree'. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 9 3/4 x 6 3/4 in. (24.7 x 17.1 cm). Date: ca. 1520-25. Museum: Metropolitan Museum of Art, New York, USA.
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alb3683450 The lamentation of the dead Christ who is supported by the Virgin Mary and surrounded by other figures. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 8 1/4 x 6 9/16 in. (21.0 x 16.6 cm). Date: ca. 1515-16. Museum: Metropolitan Museum of Art, New York, USA.
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alb4132269 Christ, the Virgin, and Saint John the Baptist with Saints Paul and Catherine. Marcantonio Raimondi; Italian, c. 1480-1534. Date: 1520-1525. Dimensions: 425 x 290 mm (image/plate); 430 x 295 mm (sheet). Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.
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orz059339 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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alb2019556 Giovanni II Bentivoglio (1443-1508). Italian noble. Engraving in The Universal History, 1881.
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alb2042071 Giovanni II Bentivoglio (1443-1508). Italian noble. Engraving in The Universal History, 1881. Colored.
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alb3673349 The Virgin with the Christ Child and the young Saint John the Baptist holding a bird at right, an oval composition, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Attributed to Lorenzo Loli (Italian, Bologna ca. 1612-1691 Bologna). Dimensions: Sheet (Trimmed): 7 11/16 × 5 7/16 in. (19.6 × 13.8 cm). Date: ca. 1630-80. Museum: Metropolitan Museum of Art, New York, USA.
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alb1982624 The entrance of Charles V (1500-58) into Bologna for his coronation, painting by Juan de la Corte (ca 1585-1662). Location: Toledo, Museo De Santa Cruz (Santa Cruz Museum, Picture Gallery).
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orz210136 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz152533 MONUMENTO DE FELIPE III-DETALLE CABEZA DEL CABALLO Y EL REY.COMENZADA POR JUAN DE BOLONIA - FOTO AÑOS 00. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz206485 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz206486 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz206487 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz196192 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz198364 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz197804 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz190461 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz197802 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz190462 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz197803 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz183155 ESTATUA ECUESTRE DE COSME I DE MEDICIS EN LA PLAZA DE LA SEÑORIA - 1594 - MANIERISMO ITALIANO. Author: JUAN DE BOLONIA (1529-1608). Location: EXTERIOR. Florenz. ITALIA. COSIMO I DE MEDICIS.
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orz183161 ESTATUA ECUESTRE DE COSME I DE MEDICIS EN LA PLAZA DE LA SEÑORIA - 1594 - MANIERISMO ITALIANO. Author: JUAN DE BOLONIA (1529-1608). Location: EXTERIOR. Florenz. ITALIA. COSIMO I DE MEDICIS.
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orz189679 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz044392 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616 COMENZADA POR JUAN DE BOLONIA. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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orz026391 ESCULTURA DE MERCURIO. Author: JUAN DE BOLONIA (1529-1608). Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.
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orz020707 LA ARQUITECTURA - ESCULTURA ALEGORICA - SIGLO XVI. Author: JUAN DE BOLONIA (1529-1608). Location: MUSEO DEL BARGELLO. Florenz. ITALIA.
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orz003268 Charles V and Pope Clement VII entering Bologna. Toledo, Santa Cruz museum. Author: JUAN DE LA CORTE (1585-1662). Location: MUSEO HOSPITAL DE SANTA CRUZ. Toledo. SPAIN. CARLOS V (CARLOS I). Charles I (V of the Holly Roman Empire). GIULIO DE MEDICI 1478/1534 PAPA CLEMENTE VII.
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orz119278 PLAZA DE LA SEÑORIA ESTATUA ECUESTRE DE COSME MEDICIS. Author: JUAN DE BOLONIA (1529-1608). Location: EXTERIOR. Florenz. ITALIA. COSIMO I DE MEDICIS.
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orz119279 PLAZA DE LA SENORIA-ESTATUA ECUESTRE DE COSME MEDICIS. Author: JUAN DE BOLONIA (1529-1608). Location: EXTERIOR. Florenz. ITALIA. COSIMO I DE MEDICIS.
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orz119284 PLAZA DE LA SENORIA-ESTATUA ECUESTRE DE COSME MEDICIS. Author: JUAN DE BOLONIA (1529-1608). Location: EXTERIOR. Florenz. ITALIA. COSIMO I DE MEDICIS.
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orz119285 PLAZA DE LA SENORIA-ESTATUA ECUESTRE DE COSME MEDICIS. Author: JUAN DE BOLONIA (1529-1608). Location: EXTERIOR. Florenz. ITALIA. COSIMO I DE MEDICIS.
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orz119283 PLAZA DE LA SENORIA-ESTATUA ECUESTRE DE COSME MEDICIS. Author: JUAN DE BOLONIA (1529-1608). Location: EXTERIOR. Florenz. ITALIA. COSIMO I DE MEDICIS.
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orz183157 RAPTO DE LAS SABINAS - 1583 - ESCULTURA EN MARMOL - MANIERISMO ITALIANO. Author: JUAN DE BOLONIA (1529-1608). Location: LOGIA LANZI / PORTICO SEÑORIA. Florenz. ITALIA.
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orz053162 ESCULTURA-MERCURIO CORRIENDO-MENSAJERO DE DIOSES.1580 BRONCE. Author: JUAN DE BOLONIA (1529-1608). Location: MUSEO DEL BARGELLO. Florenz. ITALIA.
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orz026390 ESCULTURA DE MERCURIO COPIA DEL ORIGINAL DE JUAN DE BOLONIA - SIGLO XVI. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.
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orz026389 ESCULTURA DE MERCURIO COPIA DEL ORIGINAL DE JUAN DE BOLONIA-S XVI. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.
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alb3666392 Triton. Artist: Giambologna (Netherlandish, Douai 1529-1608 Florence). Culture: Italian, Florence. Dimensions: Height: 36 in., 53.9 lb. (91.4 cm, 24.4 kg). Date: 1560-70.The Triton, seated on a circular base formed of three dolphins with tails interlaced and heads resting on three inverted scallop shells, originally served as a fountain figure. Like most of the sculptor's compositions, this work was meant to be viewed from all sides. With its supple modeling and its vigorous chasing, the present bronze is the earliest example of this composition to survive and should be dated to the artist's early maturity, in the 1560s, shortly after he arrived in Florence from his native Flanders.Giambologna was renowned for his skill in casting bronze, the medium in which almost all his work (ranging in scale from minute to monumental) was executed. The nature of the casting process lent itself to the multiplication of original models under the sculptor's supervision as well as the production of so-called aftercasts. One of Giambologna's own casts of the Triton, presumably fairly large like this example, was sent to France along with a cast of his celebrated Mercury. Known reductions of the Triton composition show the streamlined simplifications that mark the majority of later bronzes after Giovanni Bologna's models, which became increasingly popular during the seventeenth century. Museum: Metropolitan Museum of Art, New York, USA.
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akg5114138 Pratolino (Tuscany, Italy), Villa Demidoff, Park (created under Francesco I de 'Medici 1569 ff.). - "The Apennine". - Sculpture, completed in 1580, by Giovanni da Bologna (1529-1608). Natural stone, height over 10 m. Photo, undated. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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orz002926 ESTATUA ECUESTRE DE FELIPE III TERMINADA EN 1616. COMENZADA POR JUAN DE BOLONIA - FOTO AÑOS 60. Author: PIETRO TACCA. Location: HALLMARKT. MADRID. SPAIN. PHILIPP III. VON SPANIEN.
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alb3735165 The Infant Jesus and Saint John. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: GUIDO RENI.
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alb3601588 The Virgin and Child at a table with the young John the Baptist. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet: 7 13/16 × 6 5/8 in. (19.8 × 16.8 cm)Plate: 7 1/2 × 6 5/16 in. (19.1 × 16.1 cm). Date: ca. 1600-1640. Museum: Metropolitan Museum of Art, New York, USA.
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alb3696734 Christ Crucified. Dated: probably before 1588. Dimensions: overall (corpus, height including foot rest): 37.2 x 25.4 x 7.8 cm (14 5/8 x 10 x 3 1/16 in.) overall (cross): 93 x 37.2 cm (36 5/8 x 14 5/8 in.) overall (corpus, height excluding foot rest): 33.5 x 25.4 x 7.8 cm (13 3/16 x 10 x 3 1/16 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BOLOGNA.
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akg5596219 Giovanni da Bologna, also Giambologna, born Jean de Boulogne; 1529-1608. "Hercules fighting with the Centaur Nessus", 1594/99. Marble. Florence / Firenze (Tuscany, Italy), Loggia dei Lanzi.
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akg5596218 Giovanni da Bologna, also Giambologna, born Jean de Boulogne; 1529-1608. "Hercules fighting with the Centaur Nessus", 1594/99. Marble. Florence / Firenze (Tuscany, Italy), Loggia dei Lanzi.
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akg3696421 Bologna (Emilia-Romagna, Italien), Piazza Nettuno, Fontana del Nettuno - Neptunbrunnen. (Entwurf von Tommaso Laureti; Skulpturen, 1564-66, von Giovanni da Bologna; 1529-1608). - Ansicht. - Fotografie, anonym, um 1890. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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alb1981080 St John, figures of the Lamentation over the Death of Christ, 1463-1490, by Niccolo dell'Arca (d. 1494), group of terracotta sculptures, Santa Maria della Vita Sanctuary, Bologna, Emilia-Romagna. Italy, 15th century.
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alb1980042 A woman, the Madonna, St John and the body of Christ, figures of the Lamentation over the Death of Christ, 1463-1490, by Niccolo dell'Arca (d. 1494), a group of terracotta sculptures, Santa Maria della Vita Santuary, Bologna, Emilia-Romagna. Italy, 15th century.
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alb1974847 Pieta between Saints Mark, Ambrose, John the Evangelist and Antonio Abate, ca 1519, by Amico Aspertini (1474 or 1475-1552), tempera on canvas, 181x266 cm, San Petronio (St Petronius) Basilica, Bologna, Emilia-Romagna. Italy, 16th century.
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akg991378 Giovanni da Bologna, auch Giambologna, eigenlt. Jean de Boulogne. 1529-1608. "Herkules im Kampf mit dem Kentauren Nessus", 1594/99. Marmor. Florenz / Firenze (Toskana, Italien), Loggia dei Lanzi.
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akg991377 Giovanni da Bologna, auch Giambologna, eigenlt. Jean de Boulogne. 1529-1608. "Herkules im Kampf mit dem Kentauren Nessus", 1594/99. Marmor. Florenz / Firenze (Toskana, Italien), Loggia dei Lanzi.
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alb3514378 The Deposition; Christ being taken from the Cross, a man on a ladder is holding the body while St John is supporting the weight with a cloth rope, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 × 3 15/16 in. (12.9 × 10 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Deposition scene from 'The Passion of Christ' after Albrecht Dürer's 'Little Passion'.
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alb2228569 Italy. Bologna. Fountain of Neptune by Giambologna (1529-1608), 1567.
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alb3537685 The Last Judgment; Christ with lily and sword at top, flanked by Virgin and St John the Baptist interceeding on behalf of the humans below, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/16 × 3 15/16 in. (12.8 × 10 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg).
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alb3606772 Study for a Sculpture of Neptune. Artist: Giambologna (Netherlandish, Douai 1529-1608 Florence). Dimensions: Sheet: 16 5/16 x 7 11/16 in. (41.5 x 19.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
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akg2295157 Cosimo I. de' Medici, Herzog von Florenz (ab 1537), Großherzog von Toskana (ab 1569); Florenz 11.6.1519 - Castello bei Florenz 21.4.1574. "Einzug Cosimos I. in Siena" (1559). Skulptur, 1594, von Giovanni da Bologna (1529-1608). Bronze. Relief am Sockel des Reiterdenkmals Cosimos I. Florenz / Firenze (Toskana, Italien), Piazza della Signoria.
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akg2295424 Cosimo I. de' Medici, Herzog von Florenz (ab 1537), Großherzog von Toskana (ab 1569); Florenz 11.6.1519 - Castello bei Florenz 21.4.1574. "Cosimo I. nimmt 1569 von Papst Pius V. die Insignien der neuen Würde eines Großherzogs von Toskana entgegen". Skulptur, 1594, von Giovanni da Bologna (1529-1608). Bronze. Relief am Sockel des Reiterdenkmals Cosimos I. Florenz / Firenze (Toskana, Italien), Piazza della Signoria.
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akg3863347 Bologna, Giovanni da, auch Giambologna, eigentl. Jean de Boulogne; 1529-1608. "Merkur", 1580. Bronze, Höhe 187 cm. Inv. Nr. 449. Florenz, Museo Nazionale del Bargello. Museum: Florenz, Museo Nazionale del Bargello.
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akg3335514 Giovanni da Bologna, auch Giambologna, eigentl. Jean de Boulogne; 1529-1608. "Der Raub der Sabinerin", 1581/83. Marmor, Höhe 410 cm, Breite 140 cm. Florenz / Firenze (Toskana, Italien), Loggia dei Lanzi.
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akg3335479 Giovanni da Bologna, auch Giambologna, eigentl. Jean de Boulogne; 1529-1608. "Der Raub der Sabinerin", 1581/83. Marmor, Höhe 410 cm, Breite 140 cm. Florenz / Firenze (Toskana, Italien), Loggia dei Lanzi.
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akg1556764 Giovanni da Bologna, auch Giambologna, eigent. Jean de Boulogne. 1529-1600. /. "Der Zwerg Morgante auf einem Seeungeheuer", 1582. (Morgante, eigentl. Braccio di Bartolo; Hofzwerg am Hofe Cosimos I. de' Medici). Bronze. Florenz, Museo Nazionale del Bargello. Museum: Florenz, Museo Nazionale del Bargello.
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les40010412 " Les Bronzes de la Couronne" comprise bronze sculptures mainly collected by and presented to Louis XIVth. Astronomy-Venus Urania, after a model by Giambologna. H: 39,7 cm No.66 of the original royal inventory. Author: GIOVANNI BOLOGNA. Location: Musee National du Chateau, Versailles, France.
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les40112503 Mercury. Inv.449. Author: GIOVANNI BOLOGNA. Location: Museo Nazionale del Bargello, Florence, Italy.
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les40112504 Owl. Inv. d2 208. Author: GIOVANNI BOLOGNA. Location: Museo Nazionale del Bargello, Florence, Italy.
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alb3788301 Giambologna (Giovanni Da Bologna) (Attributed to) / 'Fountain with Hercules striking Cacus with his club / Study for a fountain and design for a pilaster and capital'. XVI century. Pencil, Grey-brown ink on paper. Museum: Museo del Prado, Madrid, España.
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alb3787727 Giambologna (Giovanni Da Bologna) / 'Allegory of Francesco I de?Medici'. 1560 - 1561. Italian alabaster. Museum: Museo del Prado, Madrid, España.
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alb1557811 ARTE RENACIMIENTO (MANIERISMO). ITALIA. BOLONIA, Juan de (Donai, 1529-Florencia, 1608). Escultor de origen flamenco. Grupo del "RAPTO DE LAS SABINAS". (1582). Loggia dei Lanzi. Florencia.
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00433612 geography / travel, Spain, Madrid, squares, Plaza Mayor with monument of Philipp III. (by Juan de Bolonia and Pietro Tacca) built 1617/19, renaissance, statue,
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alb1473584 ARTE BARROCO. ITALIA. GUIDO RENI (Calvenzano, 1575-Bolonia, 1642). Pintor italiano de época barroca pero de estilo clasicista. "SALOME CON LA CABEZA DE SAN JUAN BAUTISTA" (1639-1642). Instituto de Arte de Chicago. Estado de Illinois. Estados Unidos.
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